Japanese Cloisonné Enamel Koro by Tsukamoto Hikokichi

Description This Japanese cloisonné enamel koro is an exceptional Meiji period example by Tsukamoto Hikokichi, a known Kyoto-based cloisonné artist active in the late 19th and early 20th century. Dated to circa 1910, the piece exemplifies the technical innovation and rich surface detail associated with high-end Kyoto enamel production for the domestic and export markets. The koro is formed in squat bulbous shape, resting on three short tapered feet, and features two looped handles rising from the shoulder. Its removable domed lid is enamelled with a detailed depiction of the mythical ho-o bird in flight, rendered in silver wire cloisonné with polished black enamel lines and a geometric border. The ho-o, a Japanese phoenix, was commonly associated with virtue, harmony, and imperial authority, making it a popular motif in Meiji design. The body alternates between ginbari foil-backed panels featuring paired ho-o birds and stylised cloud work, and pale blue enamelled reserves inlaid with scrolling foliage, all separated by fine silver wire cloisonné. The base of the vessel is signed within a red cartouche with the uncommon seal of Tsukamoto Hikokichi, whose work is noted for its balance of technical control and vibrant colouration. The underside of the feet are fitted with protective brass pins, preserving the enamel surface, a further sign of quality typical of top-tier Kyoto workshops. The use of ginbari foil beneath the enamel adds an iridescent depth to the panels, highlighting the luminosity of the design. Objects of this scale and finish were produced in relatively limited numbers toward the end of the Meiji period, and this piece remains a compelling example of Kyoto cloisonné work intended for both the connoisseur market and international collectors. Learn About TSUKAMOTO HIKOKICHI Tsukamoto Hikokichi was a Japanese cloisonné artist active during the late Meiji period. Though relatively little is known about his biography, surviving works attributed to him demonstrate a high level of technical skill, with strong use of colour and detailed wirework. His pieces often incorporate bold designs drawn from Japanese cultural motifs and are occasionally signed directly into the enamel, an unusual practice that points to a confident and accomplished maker. For further information see our Makers and Retails page on Tsukamoto Hikokichi. LEARN ABOUT THE MEIJI PERIOD (1868-1912) The Meiji era marked Japan’s transformation into a modern nation and a golden age of decorative arts. With the end of samurai rule and Japan’s opening to the West, artisans produced works of exceptional quality for both domestic and international audiences. Supported by the government through world fairs and Imperial commissions, Japanese lacquerware, cloisonné, satsuma ceramics, bronzes, and ivory carvings reached collectors worldwide. Many leading artists of the time, including Makuzu Kozan and Namikawa Yasuyuki, were honoured as Imperial Household Artists, ensuring the Meiji period remains one of the most celebrated eras of Japanese art. For further information please see our article Japanese Meiji Period: Art, Collecting, and Cultural Transformation. Learn about the HO-O in JAPANESE Mythology The Japanese Ho-o, or Phoenix, is a legendary bird symbolising peace, prosperity, and divine balance. Adopted as a symbol of the Imperial household, particularly the Empress, the Ho-o represents fire, the sun, justice, fidelity, and harmony. Often depicted with radiant plumage combining elements of sacred animals, this mythical creature appears only in times of great peace, making it a powerful emblem in Japanese art and culture. From textiles and lacquerware to decorative arts, the Phoenix continues to embody auspicious power and timeless beauty. For further information see our article The Mythical Japanese Phoenix: Ho-o (Hōō) in Art and Mythology. What is a JAPANESE KORO? A Japanese koro (香炉) is a traditional incense burner, crafted in ceramic, bronze, or mixed metals, and often decorated with intricate motifs. First used in religious rituals during the Heian period, koro became popular in homes during the Edo period as symbols of refinement and purification. Designed with lids and ash beds to hold incense neatly, they combine beauty with function and remain highly collectible in Japanese art, especially in forms such as Satsuma ware and bronze examples. For further information please see our article on Japanese Koro (香炉): Incense Burners in Art, Ritual, and Collecting. What is Ginbari? Ginbari is a type of cloisonne with clear enamel over a stippled silver layer applied to the copper sheet body. Measurements 10cm High x 9cm Diameter (3.94 x 3.54 x 3.54 Inches) Condition Excellent condition no damage, no restoration. WHY BUY FROM JACKSONS ANTIQUE? At Jacksons Antique, we are a small family-run business with over 10 years of experience in the fine antiques trade. We are proud members of LAPADA (The Association of Art & Antiques Dealers) and CADA (The Cotswold Art & Antique Dealers’ Association), trusted by collectors, interior designers, and private clients worldwide. Every piece we offer is individually sourced, carefully researched, and fully authenticated, accompanied by a certificate of authenticity. We provide insured worldwide shipping and secure checkout via Stripe, a global payments provider trusted by companies including Amazon and Booking.com. With every order, you will receive our latest printed product guide, a certificate of authenticity, and full tracking details so you can follow your item from dispatch to delivery. 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